CCFF SPOTLIGHT
“Follow Films” | Chris Nash, In A Violent Nature
Ahead of In A Violent Nature playing the Chicago Critics Film Festival, writer-director Chris Nash graciously took the time to answer this year’s CCFF filmmaker questionnaire. Below, his individual responses.
“Process, Not Results” | Nicole Riegel, Dandelion
Screening at the Chicago Critics Film Festival, Nicole Riegel’s Dandelion follows a struggling singer-songwriter (KiKi Layne) who falls into an intoxicating romance, leading her to a deeper appreciation of her artistic journey and the discovery of a voice that is authentically her own.
“On The Edge of My Seat” | Damian McCarthy, Oddity
When Dani is brutally murdered at the remote country house that she and her husband Ted are renovating, everyone suspects a patient from the local mental health institution, where Ted is a doctor. However, soon after the tragic killing, the suspect is found dead. A year later, Dani’s blind twin sister Darcy, a self-proclaimed psychic and collector of cursed items, pays an unexpected visit to Ted and his new girlfriend, Yana. Convinced that there was more to her sister's murder than people know, Darcy has brought with her the most dangerous items from her cursed collection to help her exact revenge.
“Is This What Police Are For?” | Yance Ford, POWER
Ahead of POWER screening at the Chicago Critics Film Festival, director Yance Ford answered our filmmaker questionnaire about his path to filmmaking and the inspiration for his documentary.
Timeless, Rich, Revelatory: Gillian Armstrong's Little Women at 30
Chicago critic, programmer, and author Marya E. Gates revisits Gillian Armstrong’s Little Women, screening at this year’s Chicago Critics Film Festival for its 30th anniversary.
“These Spaces Are Sacred” | Luke Gilford, National Anthem
“National Anthem” stars Charlie Plummer in a star-making turn with a stellar supporting cast featuring dynamic performances from Eve Lindley, Rene Rosado, Mason Alexander Park and Robyn Lively.
“Stopped In Time” | Chris Wilcha, Flipside
Flipside—screening Monday, May 6, at 9:45 p.m. at the Music Box, as part of the Chicago Critics Film Festival (get tickets now)---documents his tragicomic attempt to revive the store while revisiting other documentary projects he has abandoned over the years.
“Laughing, Screaming, Crying with Joy” | Bill and Turner Ross, Gasoline Rainbow
With Gasoline Rainbow, celebrated directorial duo the Ross Brothers (Bloody Nose, Empty Pockets and Contemporary Color) turn their pioneering hybrid approach to the cinematic road trip.
“What Would Hitchcock Do?” | Francis Galluppi, The Last Stop in Yuma County
In Francis Galluppi’s The Last Stop in Yuma County, a traveling knife salesman is stranded and forced to wait at a rural rest stop, when he suddenly finds himself in the middle of a violent hostage situation following the arrival of two bank robbers on the run after a recent heist.
“Get A Sitter, For Crying Out Loud” | Pamela Adlon, Babes
A hilarious and heartfelt comedy about the bonds of friendship and the messy, unpredictable challenges of adulthood and becoming a parent, Babes marks the feature directorial debut of Emmy-winning actress, writer, and director Pamela Adlon.
“Something Terrible Might Happen” | Jason Yu, Sleep
Screening at the Chicago Critics Film Festival on Friday, May 3, at 11:59 p.m. at the Music Box, as the opening-night midnight selection (get tickets now), Sleep follows newlyweds Hyun-su (Lee Sun-kyun, Parasite) and Soo-jin (Jung Yu-mi), whose domestic bliss is disrupted when Hyun-su begins speaking in his sleep, ominously stating, “Someone’s inside.”
“A Feeling of Fear and Sadness and Mystery” | Tilman Singer, Cuckoo
Starring Hunter Schafer, Jessica Henwick, and Dan Stevens, Tilman Singer’s Cuckoo screens at the Chicago Critics Film Festival as part of our opening-night slate.
“We All Danced Out of That Theater Into the Night” | Greg Kwedar, Sing Sing
This year, the Chicago Film Critics Association is thrilled to kick off our 2024 Chicago Critics Film Festival with Greg Kwedar’s Sing Sing, starring Oscar nominee Colman Domingo (Rustin).
“Movie Houses Are Temples For Me” | Viggo Mortensen, The Dead Don’t Hurt
Both a tragic love story and a nuanced depiction of the conflict between revenge and forgiveness, Viggo Mortensen’s The Dead Don’t Hurt is a portrait of a passionate woman determined to stand up for herself in an unforgiving world dominated by ruthless men.
Out of the Inkwell: A Celebration of Fleischer Studios
Bridging the gap between the technical innovations of the works produced by Walt Disney, often serving as testing grounds for techniques that he would utilize in his feature films, and the laugh-a-minute antics favored by the output at Warner Brothers, the animated shorts produced by Max and Dave Fleischer for the studio that bore their name from the early 1920s until 1942 continue to dazzle the eye and tickle the funny bone in equal measure. Alas, while a number of their creations have more than stood the test of time, the Fleischers and their contributions to the art of animation have sometimes been overlooked. Happily, an initiative to locate and produce 4K restorations of the Fleischer Studio’s output, spearheaded by Max’s granddaughter, Jane Fleischer Reid, has been on-going for the last couple of years.
Bringing Out The Dead
Watching Martin Scorsese’s Bringing Out the Dead today, it seems insane that it is not regularly recognized as one of the major works from one of the greatest American filmmakers of our time. And yet, even as once-overlooked projects of his like The King of Comedy and After Hours have gone on to be reevaluated and praised in the years since they debuted, here is one that remains one of the lesser-heralded titles in his admittedly spectacular filmography with even scholars who should know better too often relegating to little more than a cursory mention when discussing his work. We at the Chicago Critics Film Festival, on the other hand, feel that it is a work eminently worthy of reappraisal and hope that after seeing it here—in the miracle of 35MM, no less—that you will feel the same way.