CCFF SPOTLIGHT

“Process, Not Results” | Nicole Riegel, Dandelion
Isaac Feldberg Isaac Feldberg

“Process, Not Results” | Nicole Riegel, Dandelion

Screening at the Chicago Critics Film Festival, Nicole Riegel’s Dandelion follows a struggling singer-songwriter (KiKi Layne) who falls into an intoxicating romance, leading her to a deeper appreciation of her artistic journey and the discovery of a voice that is authentically her own.

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“On The Edge of My Seat” | Damian McCarthy, Oddity
Isaac Feldberg Isaac Feldberg

“On The Edge of My Seat” | Damian McCarthy, Oddity

When Dani is brutally murdered at the remote country house that she and her husband Ted are renovating, everyone suspects a patient from the local mental health institution, where Ted is a doctor. However, soon after the tragic killing, the suspect is found dead. A year later, Dani’s blind twin sister Darcy, a self-proclaimed psychic and collector of cursed items, pays an unexpected visit to Ted and his new girlfriend, Yana. Convinced that there was more to her sister's murder than people know, Darcy has brought with her the most dangerous items from her cursed collection to help her exact revenge.

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“Stopped In Time” | Chris Wilcha, Flipside
Isaac Feldberg Isaac Feldberg

“Stopped In Time” | Chris Wilcha, Flipside

Flipside—screening Monday, May 6, at 9:45 p.m. at the Music Box, as part of the Chicago Critics Film Festival (get tickets now)---documents his tragicomic attempt to revive the store while revisiting other documentary projects he has abandoned over the years.

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“Something Terrible Might Happen” | Jason Yu, Sleep
Isaac Feldberg Isaac Feldberg

“Something Terrible Might Happen” | Jason Yu, Sleep

Screening at the Chicago Critics Film Festival on Friday, May 3, at 11:59 p.m. at the Music Box, as the opening-night midnight selection (get tickets now), Sleep follows newlyweds Hyun-su (Lee Sun-kyun, Parasite) and Soo-jin (Jung Yu-mi), whose domestic bliss is disrupted when Hyun-su begins speaking in his sleep, ominously stating, “Someone’s inside.”

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Out of the Inkwell: A Celebration of Fleischer Studios
Peter Sobczynski Peter Sobczynski

Out of the Inkwell: A Celebration of Fleischer Studios

Bridging the gap between the technical innovations of the works produced by Walt Disney, often serving as testing grounds for techniques that he would utilize in his feature films, and the laugh-a-minute antics favored by the output at Warner Brothers, the animated shorts produced by Max and Dave Fleischer for the studio that bore their name from the early 1920s until 1942 continue to dazzle the eye and tickle the funny bone in equal measure. Alas, while a number of their creations have more than stood the test of time, the Fleischers and their contributions to the art of animation have sometimes been overlooked. Happily, an initiative to locate and produce 4K restorations of the Fleischer Studio’s output, spearheaded by Max’s granddaughter, Jane Fleischer Reid, has been on-going for the last couple of years.

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Bringing Out The Dead
Peter Sobczynski Peter Sobczynski

Bringing Out The Dead

Watching Martin Scorsese’s Bringing Out the Dead today, it seems insane that it is not regularly recognized as one of the major works from one of the greatest American filmmakers of our time. And yet, even as once-overlooked projects of his like The King of Comedy and After Hours have gone on to be reevaluated and praised in the years since they debuted, here is one that remains one of the lesser-heralded titles in his admittedly spectacular filmography with even scholars who should know better too often relegating to little more than a cursory mention when discussing his work. We at the Chicago Critics Film Festival, on the other hand, feel that it is a work eminently worthy of reappraisal and hope that after seeing it here—in the miracle of 35MM, no less—that you will feel the same way.

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